![]() Feeling out of control emerged as a major theme in both the experience of anxiety and its interpretation. Principal dancers suffered from higher intensities of performance anxiety than corps de ballet members. Somatic anxiety was more likely to be interpreted as facilitative, with the majority of dancers recognizing that a certain amount of anxiety could be beneficial to performance. Results revealed that cognitive anxiety was more dominant than somatic anxiety, and was unanimously interpreted as debilitative to performance. Fifteen elite ballet dancers representing all ranks in one company were interviewed, and qualitative content analysis was conducted. self-confidence and psychological skills. experience level (including company rank) and 3. ![]() symptom type, intensity, and directional interpretation 2. The present study explores ballet dancers' experiences of performance anxiety in relation to: 1. Performance anxiety research abounds in sport psychology, yet has been relatively sparse in dance. ![]() Performance anxiety experiences of professional ballet dancers: the importance of control.
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